jack teagarden spouse
Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. He was also a great jazz singer, charming and warm, with influences from the African American blues singers he listened to while growing up in Texas. Jack Teagarden Is Dead at 58; Jazz Trombonist and Vocalist; Some Critics Considered Him a Genius His Technique Was Largely SelfTaught, https://www.nytimes.com/1964/01/16/archives/jack-teagarden-is-dead-at-58-jazz-trombonist-and-vocalist-some.html. Trombonist, singer. Although playing his horn and leading his group occupy most of Teagardens waking hours, he manages to find time for his family wife Addie and his son Joe and for his puttering and tinkering. Jack Teagarden Follow Artist + Jazz trombonist, vocalist, and bandleader who became a latter-day champion of the classic New Orleans style. Jack said, When I blow a big noise out of that old horn, then I feel peaceful. And they had a rule: if one side couldnt eat, then the other side didnt eat.. Trombonist Jack Teagarden, right, records with Louis Armstrong, left, in 1948. That alone is well worth a chest full of medals. Teagarden's early career was as a sideman with the likes of Paul Whiteman and lifelong friend Louis Armstrong. The following year the family moved to Oklahoma City. A year or two later, drummer Cotton Bailey suggested that Weldon was not a suitable name for a musician and started calling him Jack. Sorry! Turned Pro as a Teen " You Couldn ' t Keep Jack Out of Harlem " Selected discography. During this period, he was involved in a large number of recordings, with Pollacks orchestra, with other groups, and leading his own sessions. He led his own band (193947), played with Louis Armstrong (194751), and re-formed his band (195157). Having grown up in an area with a large black population, Teagarden developed an early appreciation of black music, especially the blues and gospel He was one of the first jazz musicians to incorporate blue notes into his playing. Born in Vernon, Texas, on Aug. 20, 1905, he started on the trombone at the age of 7. The notes in any harmonic series are much closer together in the upper part of the series. Historians and critics widely agree: No one disputes Jack Teagardens place in the trombone pantheon(Morgenstern, 2004, p.292). Stars Fell on Alabama - Jack Teagarden's Chicagoans;Jack Teagarden;Billy May;Joe Sullivan;Heinie Beau;Dave Matthews;Dave Barbour;Art Shapiro;Zutty Single;Parish;Perkins Notes Technical Notes: Dupe of GBIA0069802N ,but previously transferred as wrong sides; Pops and clicks Of this venture, nothing but praise-both musical and personal-rang from every port of the bands call. The world of jazz, like any part of show business, suffers as much from public fickleness as does, say, the bumbling lyrics of a Presley or Fabian (although one approaches art, the other embraces the soul of rockn roll). He is usually considered the most innovative jazz trombone stylist of the pre-bebop era Pee Wee Russell once called him "the best trombone player in the world". He wouldnt be Jack Teagarden if it came out any other way. Weldon Leo (Jack) Teagarden, jazz musician, known also as Jackson T., Mr. T, and Big Gate, was born in Vernon, Texas, on August 20, 1905, to Charles and Helen (Geinger) Teagarden. By 1928 he played for the Ben Pollack band. The Scotch is the same in all these places., Jack sighed, You dont understand. Teagarden was married first to Ora Binyon in San Angelo, Texas, in 1923; they had two sons before they were divorced. During the recent Playboy Jazz Festival in Chicago, Teagarden and his gang came into town a couple of days early to help out on promotion for the event (by appearing on TV shows, radio interviews, and even a race track where he blew the call to the post), and to spend some time with many of his old friends who were playing in Chicagos jazz spots, music his element. He was also a remarkable singer, with a warm, Texas drawl that gave everything he sang a marvelous intimacy, and he never lost sight of the blues in everything he did. Heand Adeline or Addie, became engaged before he was divorced, and she would eventually become his forth and final wife. Jack Teagarden. His style remained the same, even though more and more seams crossed his round, open face. We were flabbergasted.. the tootler from Texas strode in. Jack Teagarden, Soundtrack: Reminiscence. So Jack sat back and ordered a second drink. Lots of clips of Jack, including home movies, as well as interviews with musicians who worked with him, . Benny Goodman and His Orchestra - Vocal Refrain by Jack Teagarden. 1940. "image": "https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/e0e7e2a4dbeb66bf0ce1964893bdd.jpg", Desperate to keep afloat, the group played too many gigs at which they were expected to have a sweet, popular sound. by Clarence Williams Blue Five. But they could not keep him from sitting on a fence near his home and listening to theNegroes singing in a church next door. One of the surest signs of this newfound responsibility (or perhaps only a reinstated dignity) was Teagardens tour of the Orient, under the auspices of the U. S. State Department. She became a fighter for integration in Broward in the 60s, and active in civic affairs. His brother Charlie was a fine trumpeter, sister Norma could tear up a piano, and Clois Lee "Cub" Teagarden played drums on some of Jack's Columbia recordings in 1939. Teagardens recorded work as a trombone soloist is considered very consistently high quality, but the following are often mentioned in particular: Knockin a Jug (1929, with Louis Armstrong), Shes a Great, Great Girl (with Roger Wolfe Kahn), Makin Friends and Thats a Serious Thing (1928, with Eddie Condon), The Sheik of Araby (1930, with Red Nichols), Beale Street Blues (1931, with Joe Venuti and Eddie Lang), Jack Hits the Road (1940, with Bud Freeman), and St. Unfortunately, he had neither the dominant personality nor the business smarts to be a good bandleader, and by the end of that year he was already $46,000 in debt. The masterful Teagarden was an American original whose style and vocals epitomized authenticity both in their execution and sound. I found this short bio at Ancestry: Born in 1905 in Vernon, Texas, Jack Teagarden was an influential jazz trombonist and singer, regarded as the "Father of Jazz Trombone." His musical abilities were largely self-taught and for that reason, unrestricted. Jack Teagarden made the trombone sexy, and his pliant, lazy tone made the instrument swing like a trumpet. When in 1951 he left Armstrong and with his wife Addie, who became business manager, formed the sextet, he had settled into the life of a responsible jazz musician and family man with Addie and Joe Teagarden, his newborn son. He really blew it. Eddie Shields, the circulation driver who writes songs, phoned the minute he read about Jack. Albums include Pop Music: The Early Years 1890-1950, Mis'ry and the Blues, and The Golden Years. Some sources claim his unusual style of trombone playing stemmed from the fact that he began playing before he was big enough to play in the farther positions. It is too often for the jazz musician a case of a quick fling before the footlights, then oblivion. All rights reserved. Teagarden left Pollack in 1933, and signed a five-year contract with Paul Whitemans orchestra. Jack Teagarden played trombone with a relaxed style and a unique Trains, hotels and restaurants often refused them service unless they split up. 1936. Leave a comment. The fact that jazz personalities share with Broadway, Hollywood, etc., a dependence upon the momentary enchantment of mass-minded America is an irony in itself, although perhaps one of the lesser ironies. All About Jazz musician pages are maintained by musicians, publicists and trusted members like you. It was a steady, well-paying job, for which Teagarden was apparently grateful; he seems to have been perpetually unlucky with both women and money, and had already experienced some personal financial problems. His technique was almost entirely selftaught; until he was 14, his parents kept him isolated from other musicians and even from other children interested in music. He was considered by many to be the greatest jazz trombonist of his era, but his style was so unusual that others did not follow his example. [5], By 1920, Teagarden was playing professionally in San Antonio, including with the band of pianist Peck Kelley. Weldon Leo "Jack" Teagarden (August 20, 1905 - January 15, 1964) was an American jazz trombonist and singer. Although he never achieved commercial success, he retained his full powers until the end of his life. He briefly visited a hospital then was found dead in his room at the Prince Monti Motel in New Orleans on January 15. We follow it with an insightful article written September, 1960 for Connchord Magazine. His siblings also became professional musicians: his younger sister Norma played piano, his younger brother Charlie, trumpet, and his brother Clois (Cub), drums. Since much of Teagardens best work was as a sideman rather than a leader, many of his best recordings are included in collections of other artists work. Isham Jones and His Orchestra - Vocal Refrain by Eddie Stone. Sorry! It is a beautiful thing, and I think that anyone who responds to melody can listen to it and understand its beauty and its orginality. This is a jazz music websitespammers will be deleted. tunes that jubilant or oppressive come straight out of the hot, sullen blues country and have their source in the earliest days of Teagardens youth. The New Grove Dictionary of Jazz, for one, calls him the finest of all jazz trombonists.. Among the vintage giants of jazz, Jack port Teagarden had not been only the very best pre-bop trombonist (taking part in his instrument using the simple a trumpeter) but one of the better jazz performers too. In 1938 he left Whitemans band to form his own. He has a disposition as easy-going as the languid phrases he blows so often, and as sunny as the warm grin which cracks his face into scores of merry wrinkles. Two drinks later, Pee Wee was back with the guy, who was wearing a horrible looking cap and overcoat and carrying a trombone case under his arm. Such a man is Jack Teagarden, in the New Orleans vanguard when Dixieland was in its heyday, and after thirty years still its most enthusiastic and gifted exponent. Teagarden, quite a ladies man, married the first of four wives, and wrote to her prophetically from the road: I have been drinking a terrible lot but I am going to quit.. Teagarden was not a successful band leader, which may explain why he is not as widely known as some other jazz trombonists, but his unusual singing style influenced several other important jazz singers, and he is widely regarded as the one of the greatest, and possibly the greatest, trombonist in the history of jazz. He was also an outstanding jazz singer. He was also a great jazz His widow, Addie, a pioneer woman aviator and big band manager, eventually moved from Broward to South Dade, and then back to Fort Lauderdale, where she lived with Atwell until she died penniless in 1997. Theres a sentimental streak in Teagarden that immediately warms an audience, whether it is made apparent in a song or a gracious act onstage, or even an introduction. He left Armstrong and formed the Jack Teagarden All Stars Dixieland band in 1951. Born in Vernon, TX in 1905, trombonist and singer John Weldon "Jack" Teagarden was the most accomplished and ultimately best-known member of a very musical family. small band for the most of his career. He teamed up with Louis Armstrongs All-Stars for some classic recordings in the late 1940s and formed the Jack Teagarden All Stars Dixieland band in 1951. Jacks brother, Charlie Teagarden, played trumpet off and on in Jacks bands and did freelance work for several well-known bandleaders, including Paul Whiteman, Jimmy and Tommy Dorsey, and Bob Crosby. Weldon Leo (Jack) Teagarden, jazz musician, known also as Jackson T., Mr. T, and Big Gate, was born in Vernon, Texas, on August 20, 1905, to Charles and Helen (Geinger) Teagarden. This article was most recently revised and updated by, https://www.britannica.com/biography/Jack-Teagarden, All About Jazz - Biography of Jack Teagarden, Texas State Historical Association - The Handbook of Texas Online - Biography of Weldon Leo Teagarden, Jack Teagarden - Student Encyclopedia (Ages 11 and up). Required fields are marked *. Even while playing with big bands, he recorded with small units led by Mr. Nichols as often as possible. My sources disagree concerning which band brought Teagarden to New York, and with whom he made his earliest recording, but there is agreement that he arrived in New York in 1927 and was playing with Ben Pollacks orchestra by 1928. The ease with which Jack pumps out the smooth overall line of the chorus as well as the occasional disagreeing spurts of melody, is still a revelation in the art trombone playing. He had 14 side men in his band and the band fronted a stage show you could get in to see for 85 cents if you had 85 cents, which not many people did. Born: August 20, 1905Died: January 15, 1964. May 2-7. He sang like he played, one observer said, in a smooth, sleepy Texas drawl. Weldon Leo "Jack" Teagarden was an American jazz trombonist and singer. Jack Teagarden was the top jazz trombonist to emerge before World War II. In the 1930s he was married to and divorced from, successively, Clare Manzi of New York City and Edna Billie Coats. The Texas town in which Teagarden grew up had a large black population, and he must have heard spirituals, work songs, and blues from a very early age; in fact, revivals were commonly held within earshot of his home. The song earned $22,000, Eddie swears, and Jack wouldnt take a dime. Each position causes the instrument to be a slightly different length, and the instrument can play a (different) harmonic series at each length. Structural Info Facts Pictures Filmography Known for movies Teagarden had a mechanical bent and a life-long interest in tinkering with things, and he invented the water glass mute effect, in which the bell section of the trombone is removed and an empty water glass placed over the end of the instrument tubing (of the mouthpiece section). Her latest rescue efforts are Troy, a Rottweiler, and Laroux, a red Dobie. From 1939 until 1947 he toured with his own big band, which, though financially unsuccessful, produced both good music and good musicians (including Charlie Spivack and Ernie Caceres). - Jack Sohmer. The trip covered a grueling eighteen weeks and as many countries. While the legal issues are being sorted, the documentary, calledTime for T, has been shown only at jazz festivals and has not been released to the public. Relax.. He passed away from a coronary attack four weeks later and it has yet to become replaced. My Jack Teagarden Research at the IJS. He was identified with such tunes as I Gotta Right to Sing the Blues, St. It apparently also greatly appealed to other musicians as soon as they heard it, but it relied so heavily on using unusual slide positions and on his ability to bend notes with his unusually flexible embouchure, that his style is generally considered to be literally inimitable.. There is a select inner circle whose musicianship has defied the censorship of shifting fashions, and through a special sort of genius created for themselves a vast, impressive symbol synonymous with their name and art. Four trombones wailed their lament at the funeral. It was this background that was probably the greatest influence on all of Teagardens work, both vocal and instrumental, and his use of the blues idiom was so convincing that Fletcher Henderson apparently suspected that Teagarden was colored. [3] Teagarden's early career was as a sideman with the likes of Paul Whiteman and lifelong friend Louis Armstrong. He was an inventor, redesigning mouthpieces, mutes, and water valves He did so at a time when many jazz purists insisted that no one but a Negro could do justice to the blues. I tried to get him on the WPA symphony where he deserved to be but the stinking little bureaucrat who directed the symphony refused to recognize the cymbalom as a civilized instrument. What he did that day with a trombone became part of the living legend of Teagarden, a feat that replaced the amused smiles with a deep respect that has been felt since by nearly every jazz buff who ever heard Teagarden jamming his special kind of music. He performed with Eddie Condon, Bix Beiderbecke, Paul Whiteman, Jimmy Dorsey, Tommy Dorsey, Bob Crosby, Eddie Lang, and many others. Let us know if you have suggestions to improve this article (requires login). Now she wants to create a Web site and write a book about him, before all those who knew him and heard him play are gone. He is generally considered the greatest jazz trombonist ever. Though Vernajean Atwell was a toddler at the time and Teagarden is actually her stepfather, my earliest memories are of him taking care of me. All the music I've played has finally paid off, he said. Pollack's recordings were Teagarden's first. The group traveled to Europe in the postwar achieving great success. Whats the big rush? He died in a motel room only hours after playing his last set from a chair because he was too weak to stand. His father, an amateur comet player, worked in the oilfields, and his mother was a local piano instructor and church organist. I feel that I did some good for America.. Wednesday they found Jack in a New Orleans hotel room, cold and dead. Pee Wee introduced us. The tune is one that we all know well (which is a help, of course, and one that Teagarden assumes), and, for his part of the performance, Jack gets just the first half of the length of tune, right after Armstrongs vocal course. And what do you know? Digitized at 78 revolutions per minute. Im sorry Hes gone.
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